Artist Statement
Bridge, 24.5 x 48.5 inches, oil and graphite on panel, 2016
Love, 28 x 44 inches, oil and graphite on panel, 2016
Winding Thought, 48 x 72 inches, diptych, oil and graphite on panel, 2016
Advancing Against, 28 x 48 inches, oil and graphite on panel, 2016
Ruffle and Fold, 26 x 42 inches, oil and graphite on panel, 2016
Offset in Black, 30 x 60 inches, oil and graphite on panel, 2016
The Air Surrounding, 48 x 72 inches, diptych, oil and graphite on panel, 2016
Sympathetic, 24.5 x 48.5 inches, oil and graphite on panel, 2016
Moving In, 48 x 84 inches, triptych, oil and graphite on panel, 2016
Contouring, 30 x 60 inches,, oil and graphite on panel, 2016
One After Another, 48 x 84 inches, triptych, oil and graphite on panel, 2016
Two Divided, 28 x 48 inches, oil and graphite on panel, 2016
Two, 48 x 72 inches, diptych, oil and graphite on panel, 2016
Exchange Between Two, 26 x 42 inches, oil and graphite on panel, 2016
Affinity, 30 x 60 inches, oil and graphite on panel, 2016
Red Discourse, 28 x 48 inches, oil and graphite on panel, 2016
Arrangement, 30 x 60 inches, oil and graphite on panel, 2016
Maker, Blue, 48 x 36 inches, oil and graphite on panel, 2016
<
>
Rose Umerlik Artist’s Statement 2016
My art practice is inextricably tied to my personal history. Stories of family, relationships, and self-awareness generate forces of emotion⎯fear, hope, loss, pain, and love⎯that drive me through the creation of each painting.
From the beginning of each piece, I lay down shapes, lines and bodies of color. As I manipulate these elements, I intuitively recognize how the correlation of these elements mirrors my interpersonal relationships. At different times these lines and forms vary in the way they relate to one another. Sometimes they hold each other, or gesture lovingly; other times they oppose each other or interact aggressively; sometimes their relationship is uncomfortable or uncertain; other times they strive for isolation.
As I move through moments of personal recognition, these moments influence the formulation of the composition. I engage in an extended series of decisions and revisions; tensions undulate on the painted surface, layers of lines, pigments, and shapes are laid down, cleared, and then selectively restored. When a painting is realized conclusively, the surface is necessarily multifarious, the reworked layers reflect my ongoing struggle to accept my history, my present, and to be hopeful of the future.
This complexity of formal elements and process is present throughout my work. My aim is not only to mirror the intricacies of my personal story, but also to connect with the viewer, to echo the personal, emotional struggles that resonate with each of us, and that are present in the collective human mind and heart.
© Copyright Rose Umerlik 2005 - 2023.